Taguchi Beisaku was a student of Kiyochika Kobayashi. He is foremost known for his woodblock prints depicting scenes from the Sino-Japanese war of 1894/95. The artistry of his war prints is ranked together with those made by his teacher, among the best.
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Taguchi Beisaku was born in Tochigi prefecture as the son of a rice merchant. In 1873 he went to Tokyo to study painting. Later he met Kiyochika Kobayashi and learned woodblock printmaking.
Under the influence of Kiyochika Kobayashi, he learned the aspects of coloring, especially the shading of colors reflecting the influence of light and shadows.
Taguchi Beisaku died rather young at the age of 40. For collectors of Japanese prints he is mostly known for the woodblock prints with scenes from the Sino-Japanese war of 1894/05. These prints were mostly made as triptychs. The Japanese who unanimously supported the war with a wave of nationalism, bought these triptychs as a kind of illustrated, latest news from the front. Photographs in newspapers were not yet in a state to replace the old woodblock technique.
The scene shows a Japanese medical unit camping ground near Fengtianfu.
A small group of Japanese reconaissance scouts had intruded into enemy territory. They were discovered and only two men could safely return to the Japanese lines.
Harsh winter weather was a major problem during the campaign in Manchuria and forced the First Japanese Army to encamp and await the end of winter.

"Sokako Fukin Nichi-jin Embo Manshu Kihei Iso Shutsujin no Zu". Around the So river, two Manchurian cavalrymen are looking down at the Japanese army base far away. Their faces are painted in fierce-looking designs.
A captured enemy courier had tried to kill himself by hitting his head against a rock. The Japanese Major Saito (right) dissuaded the Chinese courier from dying and admonished him to think of his family. The Chinese courier was so grateful about these words that he voluntarily told the Major about the enemy's position.
Most of the prints from the Sino-Japanese war were of blunt propaganda. The message was always the same: Heroic Japanese soldiers fought bravely a righteous war against primitive barbarians. The reality was presumably different. After the taking of Port Arthur, reports of massacres of thousands of civilians came to the West.

Dieter Wanczura
(July 2009)
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