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Edutainment > Paul Binnie - Printing Methods

Biography of Paul Binnie
Biography of Paul Binnie
Final Print - Ho-o no Yume
copyright Paul Binnie

This page presents a series of photographs showing in detail how the artist Paul Binnie created the woodblock print 'Ho-o no Yume'. Paul Binnie uses traditional Japanese methods, materials and tools that he learned during a stay in Japan of more than 5 years under the guidance of experienced master carvers and printers.

The images on this page are link-sensitive and take you to other articles or web sites in which you might be interested.

How to Make a Woodblock Print

The photos are a supplement illustration of the article Japanese Woodblock Printing with Paul Binnie. We thank Paul Binnie for his support that made this documentation of a unique process of artistic creation possible.

Re-Damping the Block

How to Make a Woodblock Print
How to Make a Woodblock Print
Re-Damping the Block
copyright Paul Binnie

Nori and Pigments

Paul Binnie - Biography
Paul Binnie - Biography
Nori and Pigments
copyright Paul Binnie

Hon Baren and Ball Bearing Baren

Carving a Woodblock Print
Carving a Woodblock Print
Hon Baren and Ball Bearing Baren
copyright Paul Binnie

Carving Tools

Woodblock Print Carving Tools
Woodblock Print Carving Tools
Carving Tools
copyright Paul Binnie

Block for Background

Iro Han
Iro Han
Block for Background
copyright Paul Binnie

Background Block and Proof

Kento
Kento
Background Block and Proof
copyright Paul Binnie

Ink Design

Key Block
Key Block
Ink Design
copyright Paul Binnie

Flesh Block and Proof

Third Carving
Third Carving
Flesh Block and Proof
copyright Paul Binnie

Block for General Flesh Area

Woodblock Printmaking
Woodblock Printmaking
Block for General Flesh Area
copyright Paul Binnie

Flesh Shading Block Detail

Body Tattoos with Paul Binnie
Body Tattoos with Paul Binnie
Flesh Shading Block Detail
copyright Paul Binnie

Flesh Shading Block Detail

Paul Binnie - Edo Sumi
Paul Binnie - Edo Sumi
Flesh Shading Block Detail
copyright Paul Binnie

Flesh Shading Block and Proof

Grand Canyon by Paul Binnie
Grand Canyon by Paul Binnie
Flesh Shading Block and Proof
copyright Paul Binnie

Block for Flesh Shading

Paul Binnie - Morning Tears
Paul Binnie - Morning Tears
Block for Flesh Shading
copyright Paul Binnie

Printed Shadow Area

Prints by Paul Binnie
Prints by Paul Binnie
Printed Shadow Area
copyright Paul Binnie

Printed Impression

Retrospective with Paul Binnie
Retrospective with Paul Binnie
Printed Impression
copyright Paul Binnie

Printing with Backing Sheet on Paper

Paul Binnie - Prints
Paul Binnie - Prints
Printing with Backing Sheet on Paper
copyright Paul Binnie

Removing the Print from Damping

Printmaking
Printmaking
Removing the Print from Damping
copyright Paul Binnie

Damped Paper with Prints

Ryusei Okamaoto in his Studio
Ryusei Okamaoto in his Studio
Damped Paper with Prints
copyright Paul Binnie

Fitting to Kento - Detail

Ryusei Okamoto - Biography
Ryusei Okamoto - Biography
Fitting to Kento - Detail
copyright Paul Binnie

Fitting to Kento

Osamu Sugiyama - Biography
Osamu Sugiyama - Biography
Fitting to Kento
copyright Paul Binnie

Backing Sheet to Protect the Reverse

Prints by Sadao Watanabe
Prints by Sadao Watanabe
Backing Sheet to Protect the Reverse
copyright Paul Binnie

Inking the Block

Sadao Watanabe - Biography
Sadao Watanabe - Biography
Inking the Block
copyright Paul Binnie

Applying Nori and Pigment

Ryohei Tanaka - Biography
Ryohei Tanaka - Biography
Applying Nori and Pigment
copyright Paul Binnie

Working Area Ready to Print

Ryosaku Ito - Biography
Ryosaku Ito - Biography
Working Area Ready to Print
copyright Paul Binnie

Video Presentation of Paul Binnie

Video Paul Binnie
Video Paul Binnie
Click for Video
copyright protected

We produced a video with a short presentation of Paul Binnie. Please click on the image or on the link to go to the video page.

Dieter Wanczura
(March 2007, updated December 2009)

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The images on this web site are the property of the artist(s) and or the artelino GmbH and/or a third company/institution.  Reproduction, public display and any commercial use of these images, in whole or in part, require the expressed written consent of the artist(s) and/or the artelino GmbH. . 

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