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Edutainment > Articles on Art > Printmaking > Paul Binnie - Printing Methods - Tradition and Modernity
This page presents a series of photographs showing in detail how the artist Paul Binnie created the woodblock print 'Ho-o no Yume'. Paul Binnie uses traditional Japanese methods, materials and tools that he learned during a stay in Japan of more than 5 years under the guidance of experienced master carvers and printers.
The photos are a supplement illustration of the article Japanese Woodblock Printing with Paul Binnie. We thank Paul Binnie for his support that made this documentation of a unique process of artistic creation possible.
Dieter and Yorie
(March 2007)
Re-Damping the Block
Nori and Pigments
Hon Baren and Ball Bearing Baren
Carving Tools
Block for Background
Background Block and Proof
Ink Design
Flesh Block and Proof
Block for General Flesh Area
Flesh Shading Block Detail
Flesh Shading Block Detail
Flesh Shading Block and Proof
Block for Flesh Shading
Printed Shadow Area
Printed Impression
Printing with Backing Sheet on Paper
Removing the Print from Damping
Damped Paper with Prints
Fitting to Kento - Detail
Fitting to Kento
Backing Sheet to Protect the Reverse
Inking the Block
Applying Nori and Pigment
Working Area Ready to Print
Search for Paul Binnie
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Auction 549 - Robert O. Muller Collection
Printmaking
Chinese Woodblock Prints
How to Make a Woodblock - Fifth Week
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How to Make a Woodblock - Second Week
How to Make a Woodblock - Sixth Week
How to Make a Woodblock - Third Week
How to Make a Woodblock Print
Intaglio Printmaking
Japanese Woodblock Printing with Paul Binnie
Japanese Woodblock Prints
Paul Binnie - Printing Methods
Printmaking
Reduction Woodblock Print
Silkscreen Printing
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