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Kazutoshi Sugiura - born 1938

The works of the Japanese artist Kazutoshi Sugiura are unique in the history of the artistic tradition of Japan. His pictures are gems of noble beauty and treasure, which is shown by the gold grounded dreamlike floridity.

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A Comprehensive Study of Art

Kazutoshi Sugiura was born in 1938 as a child of war, growing up during the reconstruction phase of Japan after World War II. Sugiura was not interested in the subsequent industrial boom and as a young man chose instead to study art at the public College for Art in Kyoto, where he graduated in 1963.

Afterwards he pursued graduate studies in art. Already at this time he was interested in silk screen printing and nihonga - traditional Japanese painting.

He already had such a masterful command of printing techniques that the International Graphic Art Society in New York ordered a set of silk screen prints from him.

Kazutoshi had studied classical Japanese painting intensely since 1967. Five years long he engaged himself in material in the Kyoto National Museum of Antiquities, the national museum of art history in Kyoto and there in 1968 he began a 4 year restoration study program focusing on gold grounding and gold framing.

The Style of Kazutoshi Sugiura

Kazutoshi Sugiura II
Hiroto Norikane - Biography
Hiroto Norikane - Biography
Camellia No. 11
copyright Kazutoshi Sugiura

Kazutoshi Sugiura developed his own style, different from the traditional prints and gold grounded painting. He set his silk screen prints on a ground of gold, conveying a certain archaic and extreme idea of their high worth. What is astonishing is that Sugiura achieved overwhelming success at exhibitions after getting his degree with just a single traditional motif: flowers.

There are grand peonies, roses, camellia, chrysanthemum, lilies, irises, cosmos and other flowers, set in every possible color nuances and gold grounded. They are made in the finest detail. The precision is probably archaic. However, the simplicity of the composition, compared to the perfection of the finish and above all the poetry of the impact, make these pictures based on tradition appear contemporary.

Perculiarties in Technique

The works of Kazutoshi Sugiura and his mixed technique consist of three phases. First the artist applies the sheet of gold on the hand made paper. On top of that he sets his motif in silk screen press. With a stretched strongly woven silk towel he presses on it an abraded texture with lithography-colors. Finally he patinates the gold ground with a misty color in purple, blue or green, whichever lets the gold shimmer like a gem.

Exhibitions and Awards of Kazutoshi Sugiura

  • 1960 - Individual Exhibition, Yamada Gallery, Kyoto, Japan.
  • 1961-63 - Exhibitions of the Japan Print Association, Tokyo, Japan.
  • 1978 - Award of the Kyoto Federation of Galleries for nihonga Paintings, Kyoto, Japan.
  • seit 1979 - CWAJ Print Show, Tokyo, Japan.
  • 1982 - Individual Exhibition, Studio Kimura, Tokyo, Japan.
  • 1986 - Tolman Collection, Tokyo, Japan.
  • 1988 - Individual Exhibition, Intaglio Printmaker's Gallery, Melbourne, Australia.
  • 1989 - Modern Japanese Art, Portland Museum, Maine, USA.
  • 1993 - Individual Exhibition, Ronin Gallery, New York City, USA.
  • 1999 - Canberra National Multicultural Festival, Australia.

Collections

Kazutoshi Sugiura IV
Kaoro Saito - Biography
Kaoro Saito - Biography
Camellia No. 12
copyright Kazutoshi Sugiura

The prints of Kazutoshi Sugiura are found in several private collections as well as the Brooklyn Museum of Art, Museum of Modern Art in New York, the Art Institute of Chicago and the British Museum.

rp
(June 2007, updated by Dieter Wanczura October 2009)

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