EDUTAINMENT

Select Category


The Japanese Koto

Mitate Chuya Nijuyoji no Uchi
Mitate Chuya Nijuyoji no Uchi
by Kunichika Toyohara 1835-1900

The Koto is a traditional Japanese musical instrument. It originated from the Chinese Guzheng but developed its own tradition in Japan since the 8th century. It was traditionally played as a form of entertainment in the imperial courts. Depiction of the Koto was a motif of early traditional visual arts. The Koto is a string instrument from the zither family and can be played solo or in accompaniment. Accordingly the Koto has two different forms.

Strings of Silk

Playing Koto
Playing Koto
Shunko Nakajima fl.ca. 1890s

Like its Chinese predecessor, the Koto consists of a single resonance body made of wood up to 2 meters in length, over which the strings are stretched, which when plucked brings musical notes. Traditionally the Koto is stringed with silk. It is tuned by shifting the base on which the strings are stretched. With a pick and three fingers of the right hand (thumb, index and middle finger), the strings are plucked and they vibrate.

Originally the Koto was laid on the ground when play. Today there are Koto instruments that can be played standing on special stages with pits that in the floor. Depending on the use, two main forms of the Koto developed over the centuries. There is the So, a conducting instrument about 1.8 to 2 meters long and with 13 or more strings. The K'in is used as a solo instrument and is the direct successor to its former Chinese antecessor, about one meter long and has seven strings.

Centuries of Tradition

Playing Koto and Shamisen
Playing Koto and Shamisen
Chikanobu Toyohara 1838-1912

The history of the Koto dates back to the Nara Period (719-793). Back then the original Chinese instrument, the Guzheng was brought to Japan and adopted as court music. The instrument subsequently was developed a bit further in Japan, but independently from its Chinese antecessor and founded its own Japan tradition. For a long time the Koto was exclusively played in the imperial court.

The famous blind Shamisen player Yatsuhashi Kengyo (1614-1684) succeeded was the first in the seventeenth century to learn how to play the instrument and it became a traditional Japanese music. His teacher was the court musician Hasui. When Yatsuhashi Kengyo handled the Koto, he fit the tune of the strings to Japanese folk music and composed songs, which still belong to Japanese culture today. This is true for the most popular Koto song today, Rokudan no Shirabe.

He also freed the instrument from its role as a conducting instrument and made it a solo instrument. Yatsuhashi Kengyo strived throughout his life to make the Koto popular in Japan, in which he was without a doubt sucessful.

Search for Japanese Koto

You can buy art on this site in our ongoing art auction, or direct. See also our upcoming auctions and our art products. If you have any questions, please contact us.

 

The images on this web site are the property of the artist(s) and or the artelino GmbH and/or a third company/institution.  Reproduction, public display and any commercial use of these images, in whole or in part, require the expressed written consent of the artist(s) and/or the artelino GmbH. . 

Google
 
Web www.artelino.com

Japanese Music


Contact   Password Lost   Shipping   FAQ   Our Products   Security & Privacy   Articles on Art   Payment Policy   New User?   My Account   Registration  
German artelino   Sitemap   Conditions   Imprint   E-Mail   Copyright ©2001-2008 artelino GmbH. All rights reserved.   Remember My Client No.    No client group.