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by Zhou Tiehai
Collection Uli Sigg, 2002
copyright Sigg Collection

The Hamburger Kunsthalle in Germany shows from September 14, 2006 until February 18, 2007 the Sigg collection - one of the most important collections of contemporary Chinese art worldwide. The collection covers the period since ca. 1980, when after the turmoils of the Cultural Revolution a more liberal political period of "new thinking" had reached the art academies and had initiated an astonishing development among Chinese artists - a kind of fascinating "new wave".

The following text and the images on this page were taken from the official press release with kind permission by Hamburger Kunsthalle.

Contemporary Art in China

Ai Weiwei
Urn with Logo, 1994
copyright Sigg Collection

Since the post-Mao reform era began in 1979, China has seen the emergence of an extremely diverse and dynamic art scene, a development that has taken place within a short space of time and in spite of the continuing difficulties faced by those involved in independent art production. In recent years, contemporary art from China has also been attracting great interest in the West.

Chinese artists have quickly found their place in the international art scene, and skilfully employ media, techniques and forms of expression that were developed in the West. Nevertheless, their specifically Chinese roots - pre-modern tradition on the one hand, the requirements of the Socialist Realist style prescribed by the Communist Party until the late 1970s on the other - are evident in many of the artists' works; in comparison to Western art, for example, greater emphasis is placed on figurative painting.

Chinese Art Roots

Bloodline Series
by Zhang Xiaogang, 1997
copyright Sigg Collection

Some of these artists consciously address the issue of their national identity by adopting the techniques and formal language of traditional Chinese art and placing them in a new context. Another significant trend is to parody or reflect upon the art and art history of the West from a Chinese perspective. Above all, however, Chinese avant-garde art has to be viewed in the light of the tremendous social and economic upheavals that have taken place in recent decades; a large number of works specifically reflect the tension between the socialist ideals which are still officially valid and the wave of consumerism that has swept the country as a result of the capitalist reforms.

Uli Sigg - Collector of Contemporary Chinese Art

by Qi Zhilong, 1998
Sigg Collection
copyright Sigg Collection

Swiss collector Uli Sigg, Vice-Chairman of the Board of Directors of the Ringier Group, has taken a keen interest in China and its culture since the late 1970s. Together with his wife Rita, he has been building a collection devoted exclusively to Chinese art since the mid-1990s, and can justly be regarded as a pioneer in this field. Having initially concentrated on the acquisition of new art, Sigg soon began to extend his collection to include 'historic' works of Chinese avant-garde art from the 1980s and early 90s. The result of this systematic approach is a collection of contemporary Chinese art that is unparalleled in its scope and quality. All the leading positions and important trends are represented here by major works, many of which have now achieved iconic status in the Chinese art world.

Exhibition Information

by Fang Lijun, 1995
Sigg Collection
copyright Sigg Collection

The exhibition in the Hamburger Kunsthalle gives the German public the opportunity to view a representative selection of works from the Sigg Collection. It provides an overview of a quarter of a century of Chinese avantgarde art (1979-2005) and surpasses all previous exhibitions on the topic in terms of its focus and quality. A comprehensive catalogue is being published to accompany the exhibition.

Galerie der Gegenwart, Hamburger Kunsthalle
15 September 2006 - 18 February 2007

Press release and images by Hamburger Kunsthalle - edited by artelino.

The Exhibition on the Internet

Mahjong - Contemporary Chinese Art from the Sigg Collection

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